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Hit the plus sign at the bottom to add a new Bookmark group and select Custom Bookmark file. LaunchBar learns your habits Quickly insert snippets using Instant Open Use the Clipboard History to fill placeholders in your snippets Peek into existing snippets using QuickLook Adding Snippets To add a new snippet, activate LaunchBar by pressing Space, select the new Add Snippet action, then hit Space again (or ). StExBar is a toolbar that enables useful shortcuts and options in Explorer. It takes the guesswork out of Spotlight searches and helps you find file hidden deep in the haystack of files accumulated over the years. HoudahSpot is a powerful file search tool. Property theURL : ""tell application "Safari" set theURL to URL of current tab of window 1end tellif appIsRunning("Google Chrome") then tell application "Google Chrome" if (count of (every window where visible is true)) is greater than 0 then - running with a visible window, ready for new tab else - running but no visible window, so create one make new window end if end tellelse tell application "Google Chrome" - chrome app not running, so start it do shell script "open -a \"Google Chrome\"" end tellend if- now that we have made sure chrome is running and has a visible- window create a new tab in that window- and activate it to bring to the fronttell application "Google Chrome" tell front window make new tab with properties end tell activateend tellon appIsRunning(appName) tell application "System Events" to (name of processes) contains appNameend appIsRunning He got the original idea from another AppleScript to open Chrome via TextExpander, created by Tim Arnold. Open up Launchbar and hit I to get to the Index window. Start a file search from LaunchBar LaunchBar is a popular application launcher, clipboard manager, and much more. You can mix it with the realtime lighting and shadows system as well. Place your lights, click on 'calculate' and your 3D levels will look great. High quality Light MapperThe editor includes a high quality light mapping tool. For WebGL, there is even a second big JavaScript library with direct access available, which is even open source. Cross Platform Script systemFor advanced users, there is a Javascript API working on all publishing targets. Low poly editing toolsYou can edit your own 3D models directly in CopperCube: It includes a simple 3D modelling tool for creating levels, models and items. Also, it is possible to download existing 3D models from the web and use them in the editor. 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There really isn’t much to the this song in terms of construction there are 3 sections which are best seen in the crib transcription for 4 string bass. An idea to steal off the record is his deceptive percussive tapping (fingers just pushing down muted strings into the pick ups) from bar 6 however subtle it adds that extra layer to the drums which is not there at the bar 16 break. Things to note are Jamareo’s precision pocket playing, his extensive use of slides and his dynamics slap for loud and fingers for quiet. The fills are tight and only serve the music, not his technique. This track is noteworthy for Jamareo’s use of space and restraint. However that’s not all! There is a chromatic run during the drum break and then the doubling up of the snare fills underneath the horns in the chorus. It utilises the classic (long short), dotted quaver into semi-quaver funk rhythm. The main bass groove is an echo of the catchy intro’s scat vocal line. There is a full transcription of the song and then a short crib notes version for 4 string bass to get stuck into. The technique you are aiming for is grooving a slap line on a 5 string bass. The modality is centered around D minor, however the bass line has little to do with this as it plays root notes all the way through. Each track off the album references a certain genre and period of music, in this case it’s Funk via Prince and the “Minneapolis Sound” of the 1980s. It is taken from Mark Ronson’s Uptown Special album (2015). This month’s transcription is Uptown Funk, with Jamareo Artis on bass. Published on ApThis month’s transcription is Uptown Funk, with Jamareo Artis on bass. The Trust Board is the most appropriate representative for Ngati Paoa and to ensure that its cultural values and interests are protected and preserved for future generations.Īt the same time Ngati Paoa’s shared understanding of the values of manaakitanga, whanaungatanga and Whakapapa that connect our past, present and future keep us in step with our destiny as we strive towards Treaty settlements at a wider level, while enhancing our marae for the well being of our people at a place called home – te hau kainga. Ngatiruamahue Marae.The Trust Board and the iwi is currently on the threshold of new challenges that continually press us towards kotahitanga, a unified sense of purpose that redefines our enduring commitment to our Ngati Paoatanga. Ngatiruamahue Marae-whanau/hapu, - Ihaia whanau application area map Margret Dawn Walters Hughes, Waata Whanau application area map John Kahukiwa, o Te Waiariki, Ngati Korora, Ngati Takapari application area map Ītareiria Heihei, Whanau (Ngai Tawake, Ngati Rehia) application area map Hapu o Te Waiariki, Ngati Korora, Ngati Takapari Samuel Phillip George Jnr, Murray, Piripi, Puru, Rapata, Wehiwehi, Wharemate, Wellingtons, Armstrong application area map ĭarryl Hape, whanau application area map George, Murray, Piripi, Puru, Rapata, Wehiwehi, Wharemate, Wellingtons, Armstrong Garry Walmsley, Walmsley application area map Valmaine Toki, Pene Reweti Whānau Trust application area map Ngaio Sumatra Cheirrolle McGee, whanau of Charlotte McGee nee Piripi application area map Marie Williams, of Wiremu Tuaru Williams + Emma Hikiora Williams application area map Įxtended whanau of Charlotte McGee nee Piripi Waiora Goulton, of Waiora Goulton application area map īonny (Veronica) Craven, Whanau application area map ĭescendants of Puhi Poata and Waikainga Hone Tua Pomanaĭescendants of Puhi Poata and Waikainga Hone Tua Pomana application area map ĭescendants of Wiremu Tuaru Williams + Emma Hikiora Williams Kahurangi Ema Goulton, of Frances Materoa Goulton application area map Te Raki Ngā Mokopuna o Amaia Raukura Goultonįrances Materoa Goulton, MAC 01-01-006 application area map Īwhirangi Panehina Lawrence Whānau, Mita Pomana Whānau, Takutai Moana whānau TrustĪwhirangi Panehina Lawrence, Panehina Lawrence Whānau, Mita Pomana Whānau, Takutai Moana whānau Trust application area map How to make an Official Information Act request.Whāinga Amorangi: guidance for developing your plan.Building closer partnerships with Māori.2022 Matariki Ahunga Nui funding recipients.
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There was a branch for ffmpeg to add segment linking support, but I have no clue what the disposition was. ffmpeg seemed to ignore any streams not contained in the first mkv file, though (boo). Update: Just tried a simple segment linking test and the resulting files properly played in sequence using VLC and MPC-HC (yay). I can probably live with going the route of creating multiple complete files, each with a different video track / angle, but figured it is worth checking if there are more efficient, supported ways of going about all this. How well does Emby handle multi-angle MKV's?Īnd have any of you created multi-angle MKV's, and if so, what is your process? It appears to me that MakeMKV let's you pick one angle or the other, but it does not appear to me that it gives an option to combine them into a single file containing just the differing portions of each video track (and the ability, in supporting players, to switch between video tracks). The downside of course is potentially a lot of duplicated space (eg, in the case of a movie with just a few alternate scenes). The upside is that this route should circumvent any compatibility issues there might be with Emby or other players. I realize that one option is to just rip 2 versions of the content, one with one angle/track, and the other with the other. The issue is the "CloseFile" operation, it is not in the drop down menu, and typing "CloseFile" does not help.As I'm slowing converting some of my library to MKV, I'm encountering multi-angle / multi-video-track DVD's, and I'm wondering how folks tend to handle these, as well as what the current (and likely future) support is in Emby (particularly Emby Theater) for being able to recognize and switch between multiple video tracks (or angles) contained in a single MKV file? I thought I came across a post indicating that Emby does not currently provide a way to switch between multiple angles/video-tracks, but I can't seem to find that post so I may have imagined it. The only way was a tutorial on YouTube using ProcessMonitor + PowerDVD + filtering Path only "mpls".This lead to the correct play list. and then I used makmkv to extract that one only. The method I described above (not mine BTW), is the perfect starting point. You want to look at the mpls playlist number rather than the 'title' number (which is arbitrary to MakeMKV and determined by the order that the program selects which titles to show). It saves you a lot of trouble if you have many playlists, because you don't spend time searching for the correct playlist if you followed the OP method. Playlist number 800 is always the English for Disney and then 801, 802, etc. mpls according to M$ Process Monitor does not show entirely in the MakeMKV list. M2ts method a go.and guess what as expected I was able to find the correct playlist. All the responses are great, but don't really apply to this disc. 2) Process correct playlist using Makemkv to extract video and subtitle. MakeMKV and ByteCopy are good for lossless Blu-ray and DVD backup, while DVDfab focuses on Blu-ray trans-coding to portable devices like PS4, Xbox One, etc. However, maybe it is because I am on Win 10 X64, or because my Process Monitor is the latest, the only difference is that instead of " CloseFile", choose " IRP_MJ_CLOSE" from the combo box/drop down menu. There are 2 playlists that are identical in every way according to the info shown by MakeMKV, including all the audio and subtitle tracks underneath it, and there is another set of 2 playlists that are identical to each other, but differ from the first 2 in the segment map, '339,1,336' vs '340,1,338'. and Rogue One will be available to purchase in 4K UHD for the first time. Why you don't search for IRP_MJ_CLEANUP instead? Starting from version 1.9.0 MakeMKV can open a DVD disc in a so-called manual mode. The bad part about this mode is that its usage requires advanced knowledge about DVD authoring. The good part is that in this mode user has precise control over DVD layout interpretation. Any part of the disc can be assigned to any title in any order. Then you only have the same count of segments than MakeMKV has. As a former ProTools user who waited 8 months for Avid to “certify” ProTools on a new Mac OS (which came with the Mac, and I had no choice but to use), I know Avid. Avid has NEVER been known to be fast/timely/quick/responsive to updating their products. It supposedly has issues on the latest Mac OS X (10.9), as does all of Avid’s stuff. Until Avid shows some commitment to Sibelius, I would say that it is going to languish. They both basically do the same thing, just Finale gives you 10 ways to do it, and Sibelius gives you 4 ways but really wants you to use what it thinks is best. So….if you are just getting into the notation game, and have to choose between Sibelius and Finale, it’s really close. It still needs a LOT of improvements in the audio playback department, and MakeMusic needs to start moving it towards more DAW-ish like playback. It’s not fully 64bit….yet, but it’s moving that direction. Not a lot of new features, but improvements and forward thinking changes (like a stable file format). What to do next, lets gut a bunch of it and modernize it. It worked great, had a few issues, but generally worked great. They had Leopard (Mac OS X 10.5) (or rather Finale 2012). I mean, it is sort of like Snow Leopard (Mac OS X 10.6). I’m not really sure what “new” notation features can be added that people really would go “oooo, now that is a great idea”. And the company seems to be moving forward and has modernized Finale (on the Apple side). It has way more flexibility in how it works, and you can get your scores to look however you want. So, what is the verdict? I still think Finale is better than Sibelius. But unless this tool is updated, I will have to stick to Finale 2012. MakeMusic also seems to have bought or obtained parts of TGTools and has been including them in Finale for a few versions (2009 or 2008 was the first?). I have no clue if the author is going to update it or not, as he never “officially” updated it for any version of Finale past 2010 (2011, 2012 worked with it). For teaching I use the Add Pitch Names tool ALL THE TIME, and I use various alignment tools, and Custom Chord Styles for doing / chords in Finale (like doing a F7/C chord). What is TGTools? It’s a plugin that allows all sorts of things to be done in Finale, and I find it essential in using Finale. Ok, so, what is the BIG issue with Finale 2014 that will prevent me from upgrading. What? Don’t remember when Finale had Notemover? They killed it off a few versions ago and replaced it with this “universal selector” thing, which I think was actually the way to go (though it has some issues in how it works). Plus, Finale isn’t 64bit, so you can’t really load up a huge sample orchestra in Finale and have it play. The Garritan sounds, while very great sounding in 2001, are not really that great sounding now. Ok……now anyone that uses Finale for playback….really? I mean, it’s NEVER worked well for me, and the playback is Cheezy at best. New sound engine and playback and more Garritan sounds. Supposedly, didn’t really notice when I was using the demo. Supposedly it’s all Cocoa on the Mac, meaning the UI looks more Mac-like now. Yes, there are some other “new” features. And the stupid program can finally….or Finale….no no, finally….save to older versions and future versions of Finale won’t have to convert files to the “new” format every time they are opened. It’s easy to do a keyless score now, and when you do crescendos and stuff, it will smartly adjust the size of them. Those are basically the new/interesting things in Finale 2014. Anchored Hairpins and Measure-attached Smartshapes.Export To Finale 2012 and new File Format (which shouldn’t change in future versions of Finale).I’ll bullet point what I think are interesting features and list some big reasons NOT to update. Luckily, Jari Williamsson has an excellent review of what is new. It is REALLY hard to tell what the new stuff is or why you should update to it. Now, they have just released Finale 2014. It works, but it has issues like all software. So we went about 2 years with Finale 2012. Meanwhile, MakeMusic got bought and the new owners pledged to continue making Finale, but not at it’s regular yearly update cycle. The future of Sibelius is sort of up in the air as they sacked their great development team due to Avid, the parent company, having issues (they also sold off the M-Audio line of products at the same time). There are two BIG players in the music notation field. They can land next to you or quite a bit further away. In this case they will choose a random location where there is enough space on water or land. However without using the short range caller there is no guarantee that they will fly or land close enough to your location for a shoot. So combine the callers! The long range caller increases the chance of them breaking off from the large flock and beginning to circle the area where the call originated. With the species specific short range caller you can now imitate their feeding sound. 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